Beer Diary Podcast s03e03: Beer Names (and Festivals, again), with Hadyn Green

Catching up for the first time in a while, and not long after a now-notorious kerfuffle over the ‘Death From Above’ beer put out by Garage Project (site of my day job, if you haven’t already noticed), my friend and fellow red-bearded beer writer Hadyn Green and I were about to have a ramble about potentially-offensive beer names when George leapt in and suggested / insisted we save it for a podcast. And here, perhaps obviously, is the result.

As it perhaps would’ve in the pub, conversation looped around the place — frequently bouncing back to the “beer names” theme, with detours for recent and upcoming festivals among other more-random topics (and no shortage of videogames).

As always, a direct download is available, there’s a podcast-specific RSS feed, and you should be able to get us on iTunesGeorge and myself can also both be reached on the Twitterthing, or you can leave comments here or on the Bookface; feedback is absolutely always welcome. Cheers!

Beers of the Week, s03e03
Beers of the Week, s03e03
'Death From Above' bottle label
‘Death From Above’  label
Hadyn and I, 'Matariki' 2012
Hadyn and I at ‘Matariki’
Yeastie Boys 'Golden Age of Bloodshed'
‘Golden Age of Bloodshed’, and a beetroot tattoo
Golding's Free Dive motto
Golding’s Free Dive motto: Beer is Love
Samuel Adams 'Boston Lager'
The original Diary and Sam Adams ‘Boston Lager’

— Show notes:

  • (0.45) George feels he undersold Hadyn, here, and now offers “writer, announcer, gamer, raconteur” — which is all definitely true — as a tagline. You can find Hadyn, on the Twitters and occasionally on Public Address, among many other pursuits.
  • (1.20) Beer of the Week #1: Regent 58 Stout. I’d link to the relevant column in FishHead, but the magazine stubbornly hasn’t properly joined the internets.
  • (3.50) Beer names and ‘offense’ versus good form, with the usual heavy disclaimers about my day job: I’m here strictly on my own time and not even remotely speaking on the brewery’s behalf. The seminal article on the Death from Above ‘nontroversy’ is worth a re-read, along with its comments and (in particular) Dom Kelly’s two blog posts thereafter — one pointed, one parodic. Moa’s ‘Black Power’ got Diary write-up, and ‘Bye Bye Blanket Man’ was one of one of the Wellington In A Pint beers we got through in a podcast episode last year.
  • (8.20) Apparently George cut out a lot of Apocalypse Now exegesis around here.
  • (9.20) I’ve had Murray’s (unrelated) ‘Heart of Darkness’, and it was great. By the way.
  • (10.10) People may notice my uneasy relationship with ‘open secrets’. I tend to want to make them more open. Which might get me in trouble, but I honestly think all sides of the Hopocalypse Now saga — as it could be called — are readily understandable; but clusterfuck inadvertently sparked by bad timing was unfortunate.
  • (12.50) There do exist a great deal of Hopocalypses.
  • (15.00) It’s entirely irrelevant to his point, but if you haven’t had the pleasure of the ‘Smoke & Oakum’ Gunpower Rum, you should. It’s sublime and fantastic. (But it is also fair to say that piracy isn’t free from controversial references, either! Moa are learning that the hard way, and while I think it’s obvious they didn’t intend to make the connection — they’d never be so subtle — they shouldn’t be at all surprised people could think so little of them. I just wish the media better-covered their actual nonsense.)
  • (17.10) The general feathered-wings motif is pretty common among U.S. Airborne logos and badges and whatnot, and you can find (weirdly childlike) versions with skulls and/or the slogan around the place, as well.
  • (18.30) Seriously, though, Spec Ops: The Line is a masterpiece.
  • (20.50) Oh look, there’s me still saying positive things about BrewDog.
  • (21.20) Blatantly sexist themed beers are left as an exercise for the listeners. Write in!
  • (22.20) Pumpclip Parade makes me equally sad, angry, and amused.
  • (23.10) I do hear of B.O.T.Y. #1 having consistency issues, as is par for the course for such small operations, so Y.M.M.V.. But I liked mine, and it wasn’t my first.
  • (24.30) Apparently the status of Haile Selassie vis-à-vis Rastafarianism is a little murkier than I suggest, here, but still. The philosopher in me always also asks how come cannabis is a sacrament, but people still shy away from hemlock tea?
  • (25.30) Beer of the Week #2: Townshend ‘Flemish Stout’.
  • (28.50) I notice that George didn’t edit this. So he’s probably mostly right.
  • (29.30) Blasphemous local beers are also left as an exercise for the audience.
  • (31.40) GABS debrief → Beervana preview. Last year’s posts, for comparison’s sake, form a good chunk of the May & June 2012 sections of the archive. Short version: tonnes of fun. And just awesome to see how the whole of Melbourne gets in the beery swing all week. I’ve got heaps of notes from this year; I’ll have to do a proper post. Dom’s write-up, just to throw you in his direction once more, is pretty-much bang on.
  • (39.30) The Hundredth Monkey Effect is, of course, bollocks. But still an apt analogy.
  • (42.20) From memory, it was Sam from Hashigo Zake who told me, and the beer was ‘Palate Wrecker’ (a.k.a. ‘Hamilton’s Ale’), from Green Flash. I’ll get some for B.O.T.Y..
  • (43.20) George fell into the double-negative trap and just meant “clarified”, here.
  • (45.45) Beer of the Week #3: 8 Wired ‘Bumaye’.
  • (48.50) The black market beer barter economy is a wonderful, unexpected thing.
  • (51.40) Malthouse’s West Coast IPA Challenge is today, in fact. This has taken me a little while to get online, evidently. Their Darkest Day was tonnes of fun, and hopefully becomes an annual thing. ‘Matariki’ falls outside, you know, Matariki this year and I suppose therefore reverts to simply being the Winter Ale Festival. Meanwhile, to return to the theme, Garage Project’s entry is ‘Love From Above’ — a straight-APA version of ‘Death’, without the unusual ingredients (chili, lime, mint), and rather-obviously referencing the aforementioned clusterfuck.
  • (53.10) The ‘Tribute’ trademarkThe Glengarry-Hancock’s video is, I repeat, utterly marvellous. You should watch it (again), and heap scorn upon them for that and for the trademark application. In an uncharacteristically-wise move, they’ve withdrawn their application. But seriously, fuck them for even trying.
  • (57.30) Recommendations:ParrotDog ‘BloodyDingo’, their GABS festival beer, arguably a potentially-slightly-controversial name, and surely the spiritual successor to Hadyn’s mighty BitterHound blend. Yeastie Boys ‘Golden Age of Bloodshed’, which is a reference to a kick-ass track, and was another potential source of ignition for a good old-fashioned moral panic (which never eventuated). Dave Wood’s ‘Beetnik’ is one of the only home-brewed beers in my Diary, and it’s utterly marvellous. Baylands American IPA, which narrowly avoids being an offensive style name.
  • (1.10.00) Hadyn’s Heineken lessons, with Franck.
  • (1.20.50) More Recommendations: Three Boys Oyster Stoat.
  • (1.22.25) Here Be Dragons: Sam Adams ‘Boston Lager’, says George. Now imported by “Independent”, about whom I rambled recently in the BrewDog context. In the end, I did write to them. BrewDog forwarded me to the Boundary Road chaps, who straight-facedly said they don’t mind how their whole business model is roundly and routinely ridiculed by the Scots they now import. But yes, I have a soft spot for Boston Lager, since it is Beer #1 in my Diary.
  • (1.26.10) Cue the music: ‘Shopping for Explosives’, by The Coconut Monkeyrocket. Audio editing done in Audacity. Habitual thanks to both.
GABS taps, late in the Festival
GABS taps, late in the Festival —  a great weekend that warrants a full post

BrewDog, ‘Boundary Road’, and becoming the villain

'Boundary Road' / Independent / Asahi's BrewDog flyer
‘Boundary Road’ / Independent / Asahi’s BrewDog sales flyer, with bonus superfluous apostrophe

Here’s an interesting angle on the “faux-craft” clusterfuck that has besieged the local beer business: BrewDog, plucky young Scottish upstarts equally loved and loathed for their antics and attitude, have finally signed up an official New Zealand distributor — and it’s ‘Boundary Road’. That is to say, it’s the grotesquely-misnamed Independent Liquor, a wholly-owned subsidiary of Asahi, operating under the guise of their contrived and not-really-existent “brewery… nestle[d] in the foothills of the Hunua ranges”. As a conglomerate, B.R.B. / I.L. / Asahi are peddlers of all kinds of bullshit and nonsense, and really know how to put the f-word in “faux-craft”, so to speak.

Independent work the fakery at both ends and very fond of the “origin-fudging” I tipped as the unfortunate theme of 2012. With Boundary Road, they’ve set up a Potemkin1 craft brewery which they pretend isn’t the hugely industrial facility that also manufactures three-litre casks of vodka RTDs and which pumps out licensed knock-offs of green bottle Continental lagers that try very hard indeed to look imported. Leveraging the mega-bucks of the alco-pop business,2 they seem keen to take up a seat alongside our existing local beer duopoly, and to carve out a greater slice of the market. Already armed with big, mainstream international brands — both counterfeit and genuinely imported — they recently embarked on a campaign to shore up some “craft” cred. It began in earnest with their ‘Resident’ project, which brought in (with some wankery and double-dealing) an American brewer whose image still adorns several beers,3 continued with their distribution of the Sam Adams / Boston Beer Company range from the U.S., and now — or at least very soon, judging by the Beervana exhibitors list— includes distributing BrewDog. The effort to co-opt some goodwill by associating with those brands is transparent in the way they’re labelled as imported by “Boundary Road” while they avoid using that name on their decidedly low-brow volume-game products like Ranfurly.4

BrewDog 'Punk' IPA tap badge
BrewDog ‘Punk’ IPA tap badge

BrewDog are expanding at an impressively dizzying pace, but signing up with Boundary Road / Independent / Asahi is complete nonsense and makes a mockery of all the occasions on which they’ve (rightly!) been invoked5 as aggressive and elaborate marketers who remain genuine rather than resorting to peddling offensive and insufferable brandwank. There’s tremendous worldwide demand for their stuff — including here on the other side of the world, and including by me. Some of my favourite beer-related moments have been BrewDog ones, one way or another, and I’d love to have them more readily-available around here. But seriously, guys, there are (approximately) eleventy-bajillion companies involved in the import-export of booze and most of them aren’t producers of exactly the kind of industrialised garbage you specifically rail against. It’s no surprise that a company like Independent will happily clip the ticket, take their markup, enjoy some collateral credibility, and not particularly mind being ridiculed by a member of “their portfolio” — but it’s fucking depressing that the “punks” at BrewDog would go into business with alco-pop-peddling bullshit-artists like these.

BrewDog's 'Revolution'
BrewDog’s ‘The Revolution’ — featuring Boundary Road’s apparently-beloved Carlsberg third in line

Because I really do mean “specifically rail against”, above: Carlsberg is one of Independent’s flagship faux-imports,6 and also regularly appears alongside Stella and Becks in BrewDog’s marketing material, being obliterated with golf clubs or sent to the gallows. They even once had a memorable campaign — BeerLeaks.org, now retired, but cached in the Wayback Machine — which quite-rightly decried the origin-fudging practices of brand-first companies and called out Carlsberg by name. With its maximally-deceptive combination of subsidiary, parent, and licensors, Independent is exactly the kind of “faceless cartoon monstrosity” with a “destiny dictated by accountants” that was supposed to be first against the wall. With the aforementioned eleventy-bajillion alternatives, I just can’t believe BrewDog couldn’t find anyone better to deal with7 — and, really, if you can’t find a distributor worth doing business with in a given territory, don’t do business there; craft beer drinkers, the impassioned people you’re supposedly brewing for, will understand. Likewise, there’s a horrible irony in the joyful way BrewDog have been joining in the healthy skepticism about the U.K.’s new ‘Let There Be Beer’ campaign while shipping beer to those very-same “fakes and phonies”. Hypocrisy’s an interesting sin, one that’s basically immune to evasion and retreats to relativism,8 and one which undermines BrewDog’s authenticity. This isn’t ‘Equity for Punks’ anymore; it’s descending into Equity for Avril Lavigne.

That said — and even while keeping a few well-worth-reading cautious words about their partial-public-ownership model very firmly in mind — I’d still rather have a slice of BrewDog than of, say, Moa. The apparently spineless hypocrisy of the former doesn’t remotely rise to the level of the latter’s misogyny and clueless backwardness — which earned them an enduring personal boycott (not that they’ll ever care). But, much like my reaction to Emerson’s after the Lion buy-out, if this rubbish deal stands, I’ll just be less excited about BrewDog than I used to be. Handing my money over to their habitually-bullshitting distributor will happen less readily, and feel a little bit gross. Getting in bed with ‘Boundary Road’ takes the shine off the Scots and sits there as another depressing little data point that “success” always involves selling out at some point — which I sure as hell hope isn’t the case. Martin, James — BrewDogs, of all levels — I implore you;9 be the freakin’ Batman again, don’t be Harvey goddamn-Two-Face Dent.

You either die a hero, or you live long enough to see yourself become the villain.

The Dark Knight


1: Matt Kirkegaard and I are resolved to use this term more often. It comes from the maybe-never-actual (but-still-perfectly-symbolic) façades apparently thrown together to once fool a visiting Empress. I first used it for the way D.B. kept the corpse of Monteith’s around to pretend they still brewed on the West Coast (a practice they’ve actually since resumed, but for a long time the place was mothballed), but it fits these foundationless “brewery brands” so perfectly as well. This kind of shallow origin-fudging for the purpose of creating illusory scale and/or origin and/or character is — if you ask me — “faux craft” in its purest form.
2: During serial abuse of the meaning of the word “independent”, they note that they’re #1 in RTDs and that their “key brands” are “Woodstock, Cody’s, [and] Vodka Cruiser”. 
3: Meanwhile, that whole production was a year ago, now. Has anyone seen them advertising for a new “resident”, or are they going to keep producing Spike’s beers in perpetuity? And if so, does he know that? I’d love to see the contract he worked under… 
4: Itself a very long-standing piece of origin-fudging, I suppose, given that the town the beer is named after almost couldn’t be further from where it’s brewed. 
5: Including quite-frequently by me. They were, if I recall correctly — always a big “if” — my go-to example for non-aggravating beer marketing in our podcast thereon.
6: Along with preposterous claims to “Uncompromising Quality” and “Exclusive Aromatic Hops”, Boundary Road’s version of the Carlsberg carton bears a quote from Jacob Jacobsen, the brewery’s founder: “In working the brewery it should be a constant purpose, regardless of immediate gain, to develop the art of making beer to the greatest possible degree of perfection so that this brewery as well as its products may ever stand out as a model and, through their example, assist in keeping beer brewing in this country at a high and honourable level”. I submit that, given the context in which his beer now finds itself, if you attached magnets to his corpse and wrapped his coffin in copper coil, he’d be spinning in his grave so hard he could power the whole of Denmark.
7: For completeness’ sake, I suppose there is an outside chance that BrewDog don’t actually know the nature of Boundary Road / Independent. But the companies register and the Googlemachine aren’t exactly rocket wizardry, and so this alternative (if anything) makes me even further depressed. Meanwhile, I once worked for a bar — the Malthouse here in Wellington — which imported a whole bunch of BrewDog itself, way back in 2009, without a need for a distributor at all, and one of the aforementioned “favourite beer moments” of mine was personally lifting an actual metric tonne’s worth of cases into cool storage in the ceiling.
8: Unless you take your “punk” to the absolute extreme and turn into some kind of full-on morality-denying anarcho-capitalist. In which case you should say so, because no one likes a fucking nihilist
9: In the spirit of full disclosure, it’s worth pointing out that while drafting this piece I learned that Jos Ruffell (a director of Garage Project, site of my day job, and himself a BrewDog shareholder) posed a similar (though presumably less sweary) question in the Equity For Punks forums. I have no idea whether Martin and James have read that, or replied, and I hope it’s obvious that I’m speaking just for myself here, as always.