I/IPA Workshop

I/IPA Seminar lineup
I/IPA Seminar lineup

As the U.S. Hop Crisis — 2nd Edition, after the 2007 price rice / demand spike / availability crunch — starts to make itself felt, with stories of hop-fueled local beers being backburnered and put on hiatus for maybe-years, a tasting session like this seems absurdly decadent; the sort of wanton profligacy that makes a proudly-middle-class boy like me feel slightly squiffy and embarrassed. Thinking back upon it now and writing it up feels weirdly like reminiscing about days spent swimming in champagne, using high-denomination bills to light cigars, and paying the wastrel children of the lower classes a pittance to cart me hither and yon in a goddamn sedan chair. But, like a beer-powered meat-based version of Hedonism Bot, I apologise for nothing. We had a great time, and I’d do it again — though I probably should do so soon, while I still can.

If this new hop shortage really is the big deal that some people suggest — i.e., if it’s not all just tulips in Holland, all over again — it’ll be utterly fascinating to see what distorting effect it has on the beer drinker’s palate. The New New Thing in a subculture like that of the Beer Fanatics is always changing, but it’s especially interesting when change is imposed from ‘outside’ by something like an ingredient shortage rather than just by whatever-the-fuck it is that usually drives the ebbs and flows of these things (in fashion, or pop culture, or any number of other fields). It’s possible that malt-forward beers will have an accidental renaissance, but if I have to put my Predicting Hat on, I’d have to guess that in the (relative) absence of hopness, we’ll see a marked uptick in weirdness. Hopheads seem to correlate rather strikingly with extremophiles, in general — them being peatfreaks with their whisky and ultra-spicy food afficionados, and whatnot — so we might see a surge in the funky and the sour and the generally-rather-freaky. I’d be entirely unsurprised if idiosyncratic yeastiness (with a side order of wood-aged peculiarity, perhaps) was the Next Big Thing — but ultimately, who knows?

Anyway. Simon & Jessie — them who I met way back at a Birthday Dinner for Robyn, and who were there for the ‘Beer 121’ tasting session — had just-recently gotten back from California, and brought with them some swag to share. They all tilted toward the kind of hop-stupid things for which the Americans are (deservedly) famous for, so we decided to do a three-and-three face-off — which, given our shared experience of spending way too long at university (with an average of more-than-one degree-per-person and two out of our five still studying, in our thirties), it quickly became known as a Postgrad Seminar in IPA, or the Double IPA Workshop.

— Epic ‘Armageddon’ (Auckland, NZ, 6.66%)

Epic 'Armageddon'
Epic 'Armageddon'

It’s fair to say that if you find yourself having a beer called ‘Armageddon’ to calibrate and zero-in your palate, you’re in for a pretty big night. This is something I’ve had umpteen times — though usually on tap, since it makes semi-regular appearances at work — and have really grown to enjoy. It’s probably a “little bit of column A; little bit of column B” scenario whether that’s because it’s improved or whether my tastes have just drifted in its direction, but I do remember finding it rather obnoxious when it made its début in the original ‘IPA Challenge’ at Malthouse, way back when. It definitely changed a lot through its Challenge Season Iterations, and has settled into being a suitably big IPA, with an enjoyably multi-note aroma and a solid malty body. Its pieces are well put together, and it does make for an interesting contrast against the Hop Zombie I’d been drinking a lot of, around the same time — Zombie is officially ‘stronger’, but has a lighter body, and/but has more-lush hop flavours that match it very well; the two are both big, they’re just differently big.

— Sierra Nevada ‘Hoptimum’ (Chico, California, 10.4%)

Sierra Nevada 'Hoptimum'
Sierra Nevada 'Hoptimum'

I’d seen ads for this in a few beer-related magazines that made their way into our Rack of Reading Material (thanks to generous / littering foreigners and wanderers) and utterly adored its label art. When Simon & Jessie told me that this was one of the IPAs they’d muled over, I was very excited to try it — but it just didn’t quite do it for me, tragically. The colour was stunning (with its warmly rosy tint), and the aroma (which took a little while to waft out, surprisingly given its strength) was pleasant (if unusually understated). But, for me, it was just too fat, too hot and too bitter — so bitter, on the palate. That’s no Gentleman Lupulus, on the label, that’s the Headless Hopsman — a scary motherfucker out for a revenge that he seems to assume can only be had by laying waste to your tastebuds. But, like I say in my notes, it still does exactly what it says it will. My dislike of it — much like my (apparent) dislike of 8 Wired ‘Superconductor’, which came later at Malthouse’s IPA Challenge (and I say “apparent” because I was off-and-on inflicted by nasty, flu-y, sense-impairing grossness at the time) — mirrors George’s dislike of ‘Rex Attitude’; I can honestly say (to the beer, I mean) that “It’s not you, it’s me”.

— Hallertau ‘Maximus Humulus Lupulus’ (Riverhead, NZ, 6.8%)

Hallertau 'Maximus'
Hallertau 'Maximus'
Hallertau 'Maximus', label
Hallertau 'Maximus', label

And so then back to something more familiar, to re-calibrate — and this must be the only real way to make the great-big Maximus flavours come across as light and refreshing. Originally brewed for the original Malthouse-hosted IPA head-to-head (against Epic’s ‘Armageddon’, no less), Maximus has also changed around a bit and is now steadily available as a member of Hallertau’s gorgeously-branded (and aptly-named) ‘Heroic Range’. Just like ‘Armageddon’, it was once the top rung of its brewery’s ladder in flavour-and-fiestiness terms but has since acquired a few more-full-on stablemates — and, of particular interest for me and my peculiarities, it spawned a midstrength sibling in the shape of the oh-so-lovely ‘Minimus’ (if only Epic’s family expanded in the downward direction, now that would be interesting…). It took us right back to ‘my kind’ of big-hoppy loveliness, after the assault of the ‘Hoptimum’, and that nose — my gawd it smells delicious. As we all noted at the time, it practically made Sierra Nevada’s Headless Hopsman smell like an empty glass that had held beer hours ago.

— Russian River ‘Pliny the Elder’ (Santa Rosa, California, 8%)

Russian River 'Pliny the Elder'
Russian River 'Pliny the Elder'
Russian River 'Pliny the Elder', label
Russian River 'Pliny the Elder', label

And then Pliny. About as famous a token of the type as you can get. I do very much like the way they relentlessly hammer home the plea / demand that you have your bottle in its best-possible condition (“Not for saving! Consume fresh or not at all!”, and all that, on and on and over again). It’s utterly-legendary status and the drink-it-fresh commandment make it difficult to ‘judge’ when you have it here at the bottom end of the world — a problem I struck once before — but this was in about as good a condition as you could’ve hoped for: Jessie and Simon were awesomely particular about it. When I check it’s “bottled on” date, I was momentarily taken aback by just how absurdly fresh it was — it appeared to have been bottled on the day before, until I remembered the inexcusably daft middle-endian nature of U.S. calendar notation. But still, the 6th of April is pretty-damn-recent, when you’re drinking on the 5th of June. And it is great. I’m still not convinced that it’s absolutely the best damn pale ale ever to have graced our humble universe, as so many people attest, but it’s astonishingly lovely stuff and remarkably well-balanced and put-together. George speculated that its reputation might, in addition to a bit of the Emperor’s New Pale Ale effect, be bolstered by a sort of Watchmen-esque place in people’s minds, earning extra credit for being gate-crashingly ahead of the curve in its day.

— Mike’s Organic Double India Pale Ale (Urenui, NZ, 9%)

Mike's IIPA
Mike's IIPA

Last of the locals in the lineup was Mike’s IIPA. Bookending a legend like Pliny with a couple of small-brewery offerings seems like an intimidating or unfair thing to do with the little guys, but it was genuinely awesome to see how well they stand up — they Americans really don’t leave us in the dirt on this score, if anyone was worrying. My original plan was to have 8 Wired ‘Hopwired’ in this slot, but the Mike’s makes an admirable substitute (as it’s done in a tasting or two that I’ve hosted, when stocks of 8 Wired were scarce). It throws a bit of that characteristically-American pineyness into the mix, and stands as a big, solid, somewhat-sweet monolith of a thing. There’s a fair amount of truth to the rule-of-thumb that 330ml offerings from Mike’s will be well-made, if slightly mainstreamy (out of commercial necessity), but the big-ass 750ml bottles may well blow your mind. Batch #2 of the IPA certainly held its own in a difficult crowd, and while I continue to not remotely give a damn about the certified-organic nature of the enterprise, it is impressive that they can do what they do with that extra constraint.

— Dogfish Head ‘90 Minute’ IPA (Milton, Delaware, 9%)

Dogfish Head ‘90 Minute'
Dogfish Head ‘90 Minute'

And then finally — and it was an enjoyable ordeal, heavy-laden with booze and hops as it was — we had a Dogfish Head ‘90 Minute’ to finish. It presented in the same heavy-orange tone as the Mike’s before it, but was shiningly clear. I’ve had this several times before and count it (and plenty of its siblings from the same brewery) among my favourites. Something about it fits nicely with the experimentalist spirit, too — its last appearance on here was as part of a side-by-side with its 60-minute brother. It’s big and glorious and suitably night-cappy, although you may be able to see (if you scroll way up to the original ‘Lineup’ photo) that we actually finished things off with a different-but-slightly-similar Croucher ‘Patriot’, just to reset from all these hoppy pale ales and have something dark with our dessert. We all got a distinct ‘vanilla’ note out of the 90 Minute, although at that late stage, our palates had taken a pounding and we may have been in the thrall of a mass hallucination. This is why you end a great-big tasting with something you already know, I suppose.

But it was a bloody-marvellous evening, all round. Two definite take-home lessons stand out, to my mind: 1) that local brewers really are very good indeed, there really is no need for any kind of Small Country Shyness (not that we often exhibit it, but it’s nice to be reassured), and that 2) beer is a many-splendoured thing; even when you pick a pretty-narrow corner of its spectrum of styles like IIPA, there’s a lot of variety to be had. Beer can be, you could say, fractally lovely stuff — the loveliness needn’t degrade, just because you zoom in closer.

Verbatim: Postgrad Workshop: I/IPA 5/6/11 @ George & Robyn’s 1) Epic Armageddon To calibrate, and ZOMBIE wasn’t around. Toffee-ish. Less one-note than PALE ALE. Massively contentious label text. 2) Sierra Nevada ‘Hoptimum’ Less aromatic, way more bitter in the face. Gorgeous glowing rosier colour. The label is misleading, until you see him as the Headless Hopsman. 10.4% Jeebus. Fat. More aromatic as it warms. But still maybe not the sure thing it should’ve been? Though it does do what it says on the tin. 3) Hallertau ‘Maximus Humulus Lupulus’ The first time it’ll seem light + refreshing. Biggest nose so far. Paler, hazier, peachier. HOPTIMUM now smells like an empty glass. 4) Russian River ‘Pliny the Elder’ Again, with a much better travel provenance. Fresh, too. Bottled on the 6th of April, or yesterday, if the Americans used sensible dates. Fruitier, definitely well-balanced. Geroge is right that it’s Watchmen-y, in that it’d be mind-blowing a generation ago, but it’s still absolutely great, in context. 5) Mike’s IPA Batch #2. Piney + fruity + a bit sweet — though we’ve now got spicy pizza competing. 6) Dogfish Head ’90 Minute’ IPA. Same colour, but clear. Definite vanilla streak in there, now. Weird. Bloody marvellous finisher.

Postgrad Workshop: I/IPA
Diary II entry #110.1, Postgrad Workshop: I/IPA
Postgrad Workshop: I/IPA
Diary II entry #110.2, Postgrad Workshop: I/IPA

Beer Diary Podcast episode 5: The Garage Project

For our first podcast ‘on the road’ (or at least ‘out of the house’), we went to visit the Garage Project in Aro Valley (on 26 August 2011, for the record — this blog has an obscure and confusing, but ultimately meaningful, system for dating its posts…). We sit down with Jos and Pete, have a few beers — though none of their own, far-too-rare as they are — and have a bit of a ramble about who they are, what they’re planning / have done so far, and what has inspired them.

Since it is quite a long conversation, George made vaguely chapter-sized chunks of it that you can listen to separately, though they don’t come with their own whiz-bang embedded media player thing: #0 (introductions, beers so far), #1 (Hot Rocks, the Plan, feedback), #2 (missing out), #3 (Gubna, cans), #4 (future plans, creative freedom), #5 (beer-and-music analogies, experimentation), #6 (the rat race versus time to play), #7 (breaking free of existing structures), #8 (feedback and online presence, Judgment Day, midstrength beer), #9 (recommendations, things to look forward to).

As always, a direct download is available, there’s a podcast-specific RSS feed, and you should be able to get us on iTunesGeorge and myself can both be reached on the Twitterthing, and you are (naturally) more than welcome to leave comments, here.

Beers of the Week
Beers of the Week
First three tap badges
First three tap badges
Feedback coaster
Feedback coaster
Two corny kegs
Two corny kegs of #10 (i.e., absolutely all of it)
The brewkit
The brewkit
The Garage, exterior
Genuinely a garage project

Show notes:

  • (0.10) Hear that echo? We were actually in a garage. There’s zero brandwank / myth-making in their name. We really must again give great thanks to Audacity, the open-source audio editor George uses, for cleaning up the audio a lot.
  • (1.00) Beer of the Week #1: Port Brewing ‘Hot Rocks’ Lager. My Malthouse-colleague and friend Jono Galuszka wrote a piece on the Garage Project for the Dominion Post. It was the photographer for that who was frustrated by the lack of “prop beer”. He was probably just miffed he didn’t get any “sneak peeks”.
  • (3.50) The Consumer report is out now, evidently, in what is presumably the September 2011 issue. There’s a little summary online, which does include an equally-little photo of our tasting panel — that’s me in the grey shirt; I was the only guy who didn’t show up with his own branding emblazoned upon himself.
  • (5.05) Beers so far: #1 ‘Trip Hop’ (pale ale), #2 ‘Manuka Dark’ (smoked beer), #3 ‘Pernicious Weed’ (pale ale), #4 & #5 were A and B variants of ‘Hazy Daze’ (new-hop-variety pale ales), #6 ‘Lord Cockswain’s Courage’ (oaked, Belgian Porter) & #7 ‘V.P.A.: Venusian Pale Ale’ (multiply-infused pale ale), #8 ‘Hapi Daze’ (pale ale), #9 ‘Golden Brown’ (brown ale). And, since recording: #10 ‘Bière de Garage’ (cherry bière de garde), #11 ‘Red Rocks’ (American amber ale).
  • (8.00) Pete’s previous gigs: Malt Shovel Brewery (a.k.a James Squires’), Hepworth & Co., Brakspear.
  • (8.59) And here, a fridge switches on, sounding for all the world like a massive Tesla Coil or something else mad-sciency. Since it wasn’t constant, the audio editor wasn’t able to scrub it out very well.
  • (10.40) Yeah, we’re a little ramblier, this week. We are four people with beers in our hands, after all. Back to ‘Hot Rocks’, I did manage to find the video that I mentioned which documents the making-of; it’s pretty damn cool stuff. Stone & Wood have a write-up for their version online, as well; I’m mad keen to try it. Also, Turkey fryers have their own Wikipedia page — and are therefore totally “a thing”.
  • (13.10) The comparison with software releases — particularly the difference between open and closed “beta” — is massively apt.
  • (15.50) “This beer is good shit” is a great review, in both senses. Jos compiled a ‘word cloud’ of the sum-total of feedback; it’s an interesting way to see public opinion in a snapshot and they’ve been doing more, specific to different beers.
  • (16.50) George was wondering, last time, whether my casual use of “shitfaced” in a discussion of midstrength beers (i.e., those that can help stop you becoming so) was our first expletive. Pete’s nervous enthusiasm for brewing here really does put me to shame. We’ll have to figure out how to activate the “language” tag on iTunes.
  • (19.00) Brewjolais really is sadly missed. A 2011 edition was planned, but brewing operations had shifted from Wellington to Christchurch, and the earthquake intervened. I spoke candidly to someone (who shall remain nameless for their protection and because my memory is, as you may know, rather rubbish) from Lion / Mac’s who assured me that enthusiasm for it as a beer remains among the staff, and that those of us in the public who miss it should write in and say so to help convince the marketing and accounting departments.
  • (25.20) A “corny keg” is apparently (and charmingly) more-properly known as a Cornelius Keg. Those are them in the photo of the entire batch of #10, above.
  • (26.20) Beer of the Week #2: Oskar Blues ‘Gubna’ IIPA, from a can (as you could probably guess from the awesome sound effects).
  • (26.30) If you’re a new listener, and haven’t heard George’s reactions to Yeastie Boys ‘Rex Attitude’, you should probably go visit Episode III, next.
  • (27.00) I am all in favour of canned beer, and had little rants on the subject as adjunts to my Diary entries for Maui Brewing’s Coconut Porter and ‘Big Swell’ IPA.
  • (29.30) “You could have [a vending machine] on your back!” is a reference to the seriously-awesome costumes the boys donned for the launch of their Dr. Grordbort-themed releases. Jos was all Safari Suit Explorer Type, but Pete was very much the Adventurer Mechanic, and had two corny kegs strapped to his back, with a dispensing hose in each hand.
  • (31.50) Martin Craig did a nice write-up on ‘The Chosen One’, after our blind tasting session with all three candidates and a few controls.
  • (36.30) I’ll admit (and have done, on here); I love the Steampunk aesthetic. But you can’t have rayguns in steampunk, and Grordbort has rayguns aplenty.
  • (45.20) Portal is an absolute masterpiece (and really cheap, these days), and when you look back to Narbacular Drop (the student project from which it developed, which I’ve also played), you really have to be impressed at what a small group of clever and committed people can do.
  • (45.50) Scott Boswell and I, when he still worked at Malthouse, spent quite a while one night reading about the legendary elBulli. Unfortunately, we were motivated to do so by the release of a collaboration beer they did with Estrella, called ‘Inedit’ — which was total pants. Jos and Pete’s points aren’t affected by that, though.
  • (52.50) Beer of the Week #3: Lost Abbey ‘Judgment Day’. That peculiar sound was Jos working the cork out of the bottle; so we had three beers, with three different enclosures.
  • (53.10) Garage Project online: @garage_project on Twitter, and website and occasional bloggery at garageproject.co.nz.
  • (54.10) The word cloud here is the one I mentioned and linked to in the note at 15.50 — we really are setting records for picking up abandoned threads of conversation after long tangents through other stuff.
  • (58.00) @BeerGlassphemy is on Twitter.
  • (58.40) Midstength News: Liberty Brewing’s ‘T.S.B.: Taranaki Session Beer’ slipped my mind in the Midstrength Beer episode, but proved a huge hit at a similarly-themed beer tasting at Weta Digital. Garage Project’s ‘Hapi Daze’ was mis-labeled as “Session IPA”, and Jos — ever-handy with the digital gadgets — did indeed whip up the taplist for Hamilton’s Tavern on no notice at all. Go take a look, yourself.
  • (1.03.20) Recommendations: Liberty Brewing’s stuff, in general. And Townshend ‘Sutton Hoo’ (which was a collaboration with / recipe borrowed from 666 Brewing) — its namesake historic place is well-worth reading about, too. Emerson’s Dunkelweiss.
  • (1.07.00) The collaborative ‘Peoples Project’ was announced online and in Jono’s Dominion Post article. Given my experience with the coffee-tastic ‘Batch 18’ from 8 Wired and the loopier ideas Pete mentions, I’m very keen.
  • (1.11.10) The Pacific Beer Expo will be October 22 & 23 in Wellington; tickets and a little write-up are available at Hashigo’s ‘Cult Beer Store’ online shop.
  • (1.12.45) Cue the music: ‘Shopping for Explosives’, by The Coconut Monkeyrocket.

8 Wired ‘Batch 18’

8 Wired 'Batch 18'
8 Wired ‘Batch 18’

This is ‘anniversary beer’ done right. And good god damn is it done right. I am peculiarly fond of ‘occasion beer’ and so do love it when brewers mark special moments with special beers. But when they’re afterthoughts, or half-assed, or tokenistic, then they’re just sad. Tuatara’s ‘X’ Anniversary Ale last year was one of those (for me, and just to pick the example that comes most-readily to mind) with its bungled packaging and uninspiring recipe — though it has to be said that this year’s offering was considerably better on all fronts, but we’ll get to that in its own turn, soon enough. Suffice it to say, though — as I already have done, twice — that ‘Batch 18’ is no let-down; it’s a freakin’ masterpiece.1

8 Wired really did hit the ground running back in late 2009, with a lovely brown ale (which came to be known as ‘Rewired’, but initially carried the somewhat-awkward name ‘All of the Above’), then an attention-grabbing local-produce-celebrating pale ale (in ‘Hopwired’), and onwards to an ever-expanding frequently-impressively-experimental range of beers. Most-recently, the still-relatively-new brewery’s rise was marked by taking out the “Best Brewery” gong at the beer awards this year — an achievement that was utterly deserved and generated seemingly-none of the usual beer geek grumbles or quibbles with such awards.

But ‘Batch 18’ was in the works long before that. According to Søren’s characteristically-useful label text, the plan was to celebrate an “anniversary” with their eighth batch, setting calendar-based timing aside and leaning instead on that numeral in their name. Things were way too busy when #8 rolled around, so they pushed it back to #18; do it right, or don’t do it at all. I just love that;2 it takes balls to delay something obviously-occasion-based past its actual date, merely in the name of doing it right — just try, those of you with spouses,3 to skip an anniversary and see how much compensatory awesomeness is required in return. This, though? This gets away with it; it’s massive and elaborate and you wouldn’t want to’ve done it in a rush. It’s a big imperial stout, fundamentally, but definitely isn’t just a slightly blinged-up version of their bloody-lovely ‘iStout’. Rather, it’s brewed with two different yeast strains, dosed up with jaggery (a raw sugar, which throws in some interesting flavours and helps kick the alcoholic strength up a few notches), infused with coffee, aged for a few months in oak barrels, infused with more coffee — before finally being bottled up and wrapped in a gorgeous-but-simple label that implores you to a) share, and b) be brave.

So I did, and I was. After I was done for the night, I sat at the bar and poured out five glasses — while admittedly bogarting the biggest glass for myself. We were all struck by the forceful nature of the nose of it, on first whiff. This was not a beer that was shy about letting you know that a lot would be going on in the glass. It doesn’t warn you away, but it does warn you nonetheless. There’s a distinct booziness to it (it is 12.5%, after all), and that must help waft all those aromas up out of the glass. All the components are quite obviously doing something, and can certainly be picked out individually if you try hard enough — but it’s also a deft exercise in Flavour Jenga; they’re piled in a great big stack, but not precariously or without balance. They combine in interesting ways, too, stitching together into interestingly-unexpected notes like the “blue cheese and pears” comparison that Jono hit upon.

I’ve got two more of these, sitting in my stash at work. I should drag one out now (well, not now, since it’s 4.30am as I write this) and have it in celebration of the Champion Brewery trophy, and then I might just leave the other bottle to sit and wait until their calendar-birthday rolls around later this year. Søren was pretty sure that the coffee flavour would ease right off over time, but it was still nicely present in the bottles we had at a Weta Digital beer tasting not too long ago — so there’s an element of Science! to my plan, not just an attempt at delayed gratification and blatant act of hoarding. Thought it is those, also.

Verbatim: 8 Wired ‘Batch 18’ 3/6/11 500ml ÷ 5 with Peter, Haitch, Jono + Katie (the new girl) 12.5% $15-ish @ Reg. Bloody nice idea, well pitched and executed bang on. A little terrifying in your nose, but not in a bad way. Fumey + funky — blue cheese + pears, we think. Definitely hot + lingering on the palate, and you can definitely taste all the components. I said “definitely” twice. That’s telling. It’s a bit crazy, but in a charming kind of way, not (just) an off-putting one.

8 Wired 'Batch 18', blurb
8 Wired 'Batch 18', blurb
8 Wired 'Batch 18'
Diary II entry #109, 8 Wired 'Batch 18'

1: Hell, given the elaborate recipe and execution, it comes close to being a “masterpiece” in the older-school sense of the thing that signifies the turn from journeyman to craftsman. But that’s not how the Brewer’s Guild works, these days, despite the name. I have to say that, now I mention it (to myself so far, obviously), I can’t shake the suspicion that it’s a pretty neat idea…
2: I’m a habitual procrastinator, as you might be able to discern from the disparity between the dates of Diary entries and the dates on which they appear, here. When I feel the need to defend myself, usually just to myself, this is the line I run most often.
3: “Spice”?

Invercargill ‘Sa!son’

Invercargill 'Sa!son'
Invercargill 'Sa!son'

Invercargill Brewery really is the unsung workhorse of the local beer scene — or insufficiently-sung, at least. I was re-struck by that thought when I was writing about their utterly-delightful ‘Pitch Black’ stout, and I’ll take the chance to just repeat myself now, if you don’t mind. If, while staying busy running contract-brews, you can produce a range that includes a stout, an easy and accessible lager, and a motherfucking saison — then you are a very clever chap, indeed.

Saison is, as a style, well within the realm of the weird — both for its inherent, peculiar, funky and contradictory flavours and for the genuine oddness of some of the devotees it attracts (though they’re not quite as peculiar, in the main, as habitual gueuze-drinkers). One of the local craft beer scene’s elder statesmen, Fraser McInnes (who may not ever forgive me for using “elder” or “statesman” to describe him) is especially fond of them and was, for a while, helping us out at the Malthouse. On a Friday, his going-home time roughly coincided with my half-way-through time, and so I picked this up to share with him when he was done and I was in need of a mid-shift treat.

The seemingly out-of-place exclamation point is, I believe, a reference to the often-forgotten fact that when D.B. registered their now-infamous (and still-standing) “Radler” trademark, they also snagged “Saison” — despite that being equally daft, for the exact same reasons. D.B. did quietly abandon the Saison mark,1 so the Bowdlerised version isn’t really necessary, but it remains a nicely-timed and well-aimed poke in the ribs — clever and funny enough that my Inner Sarcastic Bastard easily wins out over any complaining from my Inner Punctuation Nerd.

And it was delightful. The background-level of peculiarity never got in the way of the deliciousness of it all, which was a very welcome trick for it to pull. It’s gorgeously light and fruity — the label is absolutely right that there’s tangerine and passionfruit flavours kicking around in there, but the zestiness of the thing really made me think particularly of the dry, powdery sparkle you get flying off the freshly-ripped peel of a tangerine on a hot day. We were drinking this in a fairly-seriously wintery patch, but now that the weather has turned back towards the warm-and-sunny, I’ll definitely have to give it another go — the label’s text says that the beer tastes like a “bittersweet memory of summer”, and that couldn’t have been more bang on, really. And there was certainly a properly-Saisonny funk going on in here, too; they hadn’t just wimped out and sacrificed it entirely, for the sake of more mass-market appeal. It was firmly in the background, but it was artfully placed there for balance’s sake, rather than relegated to an out-of-the-way corner, in shame.

Verbatim: Invercargill ‘Sa!son’ 3/6/11 330ml $5.50 @ Reg 6.5% ÷ 2 with Fraser, since this is very much his favourite kind of thing. Nice DB-prod with the name, too. Does exactly as it says; light fruit nose (they say tangerine & passionfruit — which is right, but with the powdery peel of the former, too); zesty body that still manages to be nicely smooth under the lively bubbles. Deftly funky, not fraughtly so. Actually pretty damn lovely. Given the current weather and its suitability for their opposite, their “bittersweet memory of summer” note is perfect. The funk-level is James Brown on the stereo next door — when you were in the mood to listen to him anyway, but too lazy to get out of your chair.

Invercargill 'Sa!son', bottlecap
Invercargill 'Sa!son', bottlecap
Invercargill 'Sa!son'
Diary II entry #108.1, Invercargill 'Sa!son'
Invercargill 'Sa!son'
Diary II entry #108.2, Invercargill 'Sa!son'

1: God knows what they were planning on doing with it. I’m not sure if they intended on creating some non-saisonny “Saison” — much like their 5%, no-lemonade “Radler” — or whether they were going to try and buy some exotic, foreign-language flair for their “Summer Ale”. In any case, cooler heads prevailed. If only they had with the whole sad Radler debacle.

Renaissance ‘Craftsman’ 2011

Renaissance 'Craftsman'
Renaissance 'Craftsman'

Gawd, it has been a while.

But it all rounds out in an oddly-nice way as I sit here and write about an absurdly, magnificently, madly chocolatey beer while eating some of the very-last (at last!) of my ultra-massive birthday cake — it seemed to be made of chocolate, chocolate, chocolate and some other kinds of chocolate. This whole week (since my actual birthday, last Tuesday; it’s late on September 4 as I write this) has put that whole “you can’t have your cake and eat it” cliché in a bin and thoroughly given it a pounding with cricket bats. It turns out that if some lovely-lovely people buy you a sufficiently massive cake, you can have it all week and eat it all week, too.

‘Craftsman’ had its re-launch at work way back in June — the value of t isn’t quite in the triple-digits, at least — shortly after it scooped the Champion Stout trophy at the Australian International Beer Awards. George and I were just recording a podcast episode today in which we discussed the various oddnesses of beer awards in general, so it’s additionally-fitting that I finally get around to this one, now. Whatever their issues — and let’s, for a moment, leave aside a) the peculiar way in which beer-judging works and b) the traditional Miniturised Industrial-looking Piece of Thing theme that all the trophies seem to go for — it remains a lovely moment when a deserving beer picks up an award and gives you yet another opportunity to shake the hand of the people from the brewery and congratulate them on the goodness of what they do.

I’d had a lovely afternoon, and had forgotten entirely that this was making its return that night. But on seeing the tap badge, quickly grabbing a tasting glass, and having just the merest sniff of it, I was instantly transported into a state of giddy, child-like glee. The nose of it is just perfect chocolate; like birthday cake, or a craving-ending snack, or an easter egg you found under the bed just when you were regretting having eaten them all already. The ultra-choc character comes from combining an oatmeal stout base with additional doses of cocoa nibs and vanilla. The latter was eased-off a little this year, and I think that was definitely the right move; last year’s edition had the same grin-inducing chocolatey loveliness, but got perhaps a little sticky by the time you’d made it most of the way through your pint. Here, everything’s in marvellous balance. That may be an odd-looking trophy, but it’s one damn well-earned.

(And in one final piece of nice, spooky timing, I closed my Diary entry with a mention of “The Barry White Joke”, a phrase that harks all the way back to Emerson’s sadly-retired Oatmeal Stout, and which I last noted here while rambling about Emerson’s ‘Grace Jones’ Porter — a ‘Brewers’ Reserve’ beer which has, itself, just been re-released. I had some tonight at Hop Garden, and it was tasting great.)

Verbatim: Renaissance ‘Craftsman’ 2011 1/6/11 @ MH. Launch of the new edition, which did very well over at the AIBA. Always nice to have Brian in the house, too. Me and Haitch were both reduced to wordless joy with our tasters — me probably helped along by still being on a bit of a high from a lovely afternoon. It’s just gorgeous. The vanilla is toned-back from last year, making it worryingly drinkable — I liked the 2010, but it did get a bit sticky. It’s liquid chocolate, dry and cocoa-y and dark. A worthy new target referent for my Barry White joke.

Renaissance 'Craftsman', AIBA trophy
Renaissance 'Craftsman', AIBA trophy
Renaissance 'Craftsman'
Diary II entry #107.1, Renaissance 'Craftsman'
Renaissance 'Craftsman'
Diary II entry #107.2, Renaissance 'Craftsman'

Beer Diary Podcast episode 4: Emerson’s Bookbinder and Midstrength Beer

I was in the very-vague planning stages for a Midstrength Beer tasting (which did eventually, er, eventuate) and George and I thought that the topic itself was worthy of a longer discussion, not merely a little recurring segment — although we’ll keep that, too. Sessionable beer really is an ongoing obsession of mine; a good one is a bloody marvellous thing for all sorts of reasons, and I’m delighted that they seem to be coming back onto the beer-drinkers’ and beer-makers’ radars.

We do apologise for the inadvertent hiatus suffered by the podcast (it’s the 30th of August as I post this, and so about five weeks since the last episode); we’ve both been abnormally-busy with our “regular” jobs, and I was also knocked over for a few weeks by a particularly nasty winter lurgy (as us hospitality workers occasionally are). We hope to return you (and ourselves, obviously) to regularly-scheduled programming from here.

As always, a direct download is available (and so will more-bite-sized ‘chapter’ chunks, in a day or two…), there’s a podcast-specific RSS feed, and you should be able to get us on iTunes. George and myself can both be reached on the Twitterthing, and you are (naturally) more than welcome to leave comments, here.

Show notes:

  • (0.40) It had been a while been recordings, and now it’s also been an extra while between postings. That feels oddly prescient.
  • (0.50) Beer of the Week: Emerson’s ‘Bookbinder’.
  • (2.00) Pompallier House is totally worth a visit.
  • (3.30) It was officially called the Museum of Fishes and the usually-useful internets are being a little unclear on whether or not it still exists / has been sold / moved. Any local knowledge would be welcome; that place was awesome.
  • (4.20) Southern Cross is a surprisingly good good-beer venue, still.
  • (5.10) Basically everything is Toby’s fault, if the situation / humour demands. We’re both a little surprised that this is his first time getting called out for it.
  • (5.50) Emerson’s Pilsner was Beer of the Week for Episode I.
  • (7.55) When I ran the aforementioned Midstrength Beer tasting, the phrase “kebeb-seeking missile” came out of nowhere to describe late-night drunken food choices. You all know what I mean.
  • (8.15) The clip from The Human Body doesn’t appear to be online, sadly. But the whole series is worth watching, not just for that moment.
  • (8.50) I really did flub a good deal of the history, here. Kieran Haslett-Moore mercifully jumped in in a comment (below) and padded things out properly / tidied them up. I didn’t help my case by not really quantifying my “historically”, of course, and I suppose the general point — that midstrength things did fade from view for much of the last beer-drinking generation — still stands.
  • (9.30) Before proper sanitation, the water really would kill you. Beer has to be boiled, and has booze in it — both of these things help keep you safe against any number of otherwise-nasty microbes. The past was not a Golden Age.
  • (11.20) 8 Wired ‘Underwired’ got its own Diary entry, and was mentioned in Episode I (foreshadowingly) and II (with the benefit of hindsight).
  • (13.00) The definitional question is always fun for nit-picking (preferably with a few pints), but 3-point-something is a good guide. The Session Beer Project are the Americans I refer to who (for various good reasons) opt for ≤4.5%.
  • (15.00) Martyn Cornell’s post on the subject is a typically-great mix of history and damn-good-point-making.
  • (15.20) If you’re thinking in physics terms — and you should, occasionally — the relevant concept is power, not work; it’s not just the strength of the thing, it’s the strength per time. More-flavourful beers can be “sessionable” at higher ABV.
  • (16.20) Seriously, if you see Fraser around town, buy him a beer. Not just for his Argument Concerning Boozemath — for all sorts of reasons. The key is to remember that, factoring in various things which doubtless vary wildly, each beer you have contains some alcohol you’ll process before the next beer and some extra, intoxicating alcohol that’ll slowly build up. This is not really reflected in ABV or in “standard drinks” notation.
  • (20.40) In New Zealand, beer under 1.15% attracts no excise tax; anything 1.15% – 2.5% is subject to 38.208¢ per litre of beverage; and all beer 2.5% and over is levied at $25.476 per litre of alcohol.
  • (23.10) See? Toby made me drink Tui. Well, he didn’t make me. I still blame him.
  • (24.00) Pressed for recommendations: Emerson’s ‘Bookbinder’; Hallertau ‘Minimus’ (punnier name suggestions for the Winter Variant are welcome…); Cassels & Sons ‘Elder Ale’ (Elder-berries is very-definitely Monty Python); Yeastie Boys have made a few midstrengthables — I unfairly had a couple of no-longer-available ones come to mind, but unforgiveably forgot to mention / didn’t yet know about the Pot Kettle Black 2011 ‘Remix’, which is a session-strength “weemix” (and Stu’s pants really are legendary; Jed Soane got a good photo of them, as you’d be right to expect); Galbraith’s ‘Bob Hudson’s Bitter’ (which is lighter than I remember, at 3.2%).
  • (27.30) The Wikipedia page for White Lightning puts it bluntly — “It was known for its high alcohol strength and low price. White Lightning was popular with those wishing for alcoholic intoxication at a minimum price.” — and notes that its strength crept gradually downwards before it was abandoned entirely.
  • (29.40) Coopers make great Gateway Beers (as we mentioned in Episode II), and frequently (though not always) make just plain great beers.
  • (30.50) Talking about this again more recently, I’m not sure why the Australians were earlier on the midstrength uptake, in mass-market terms. One hypothesis that came up (I forget out of whose brain; possibly my own) is that the more-mad sporting culture over there helped push the big breweries to make 3.5%-ish lagers, in an effort to find a relatively-palatable middle ground for both the drinkers and the local authorities.
  • (31.20) That’s how out of date we got, right there. The has been a ruling on Radler, as you probably know. The bad guys won, as they sometimes do. I’ll have to rant properly about that at a later date. Campbell Live had two surprisingly-decent pieces on the subject, one before the verdict and one after.
  • (32.20) There you go, I said it: IPONZ are narcoleptics, or drunks. Or both.
  • (33.30) I know it was a while ago, so I should give a link to last time, which was indeed about “winter ales”.
  • (35.00) Breweries on the way: Garage Project (gee, we should interview them; tune in again next time…); ParrotDog (which probably isn’t at all Art Deco, in the logo department); Revolution Brewing; Brewaucracy.
  • (39.20) Liberty Brewing’s stuff has all been worthy, and some of it just plain marvellous. ‘Never Go Back’ is still my solid favourite. And I did slightly screw-up the history of the company; Stu (currently of Yeastie Boys, formerly of Liberty Itself) appeared in a comment (below) to give the proper story.
  • (42.40) Yeastie Boys ‘Fools Gold’ (no apostrophe) is a pleasantly-coincidental thing to mention, given the slot this podcast episode will fall into, in the Beer Diary timestream — weirdly-distorted as it is. If you haven’t heard George trying ‘Rex Attitude’, you should listen to the tail end of Episode III. He is embarrassed to have to correct himself on his film references, though: he didn’t mean Remains of the Day (he enjoyed that), he meant The Age of Innocence (which he definitely did not enjoy).
  • (45.00) Cue the music: ‘Shopping for Explosives’, by The Coconut Monkeyrocket.
  • (45.26) We’re way overdue to give credit to Audacity, the open-source audio editor we’ve used for all of these so far. George — a man with degrees in marketing and zoology, not audio engineering — found it alarmingly-easy to learn and capable of genuinely impressive cleverness.