So. A wild satirist appeared, and is proving super effective. We haven’t really had one around here before, and I don’t know what good deeds we did to deserve Too Much To Beer as our first. It’s entertaining and incisive stuff, doing what all the best satire strives to do when it gets up in the morning: highlighting absurd truths and using humour to make a point worth making. As of right now, its creator is still anonymous and ― despite being a naturally inquisitive sort ― I’d like them to stay that way.
The “beer community” is frequently celebrated as a special thing and one of the reasons this is a rewarding hobby to have, and a nice industry to work in. And that, broadly speaking,1 is right and true. But since switching back to bartending I’ve been struck more and more by the distinct — although obviously overlapping — nature of bar culture and the nice ways that a good one can have a community all of its own. The title here comes from an excellent Jim White song2 that gets stuck in my head whenever I’m pondering this and marvelling at the myriad ways that people use the bar to share little moments of celebration or of solidarity or anything in between, including weirdly heartwarming mundanity — and: beer.
Last week saw a nicely-timed bit of beer journalism: just as us New Zealanders were settling down to enjoy this year’s batch of green-hopped1 beers — served within days of their release — a flurry kicked off online about the dodgy practice of some U.S. breweries putting longer “best before” lifespans on beers they send to Australia than what they are labeled with back home. So a can of, say, Stone’s Go To IPA will have a much-hyped 120-day ‘expiry’ in California, but get given a whole year on the shelf in Canberra. It’s a saga worth reading through, if you haven’t already, and perfectly illustrates a nice little point of moral philosophy2 — that hypocrisy is a special kind of dickishness.
It’s been a while since I’ve had the usual pint on Saint Patrick’s Day. Aside from a general indifference to tradition and a specific aversion to the way that holiday’s been borrowed and bastardised and bent into an excuse for problematic daydrinking — I’ve also got a particular gripe against Guinness for so completely overshadowing the way so many people think about dark beer or anything on Nitro, let alone both.
More information always seems like a worthy idea. But the truth is a complicated thing and some people are very skilled bullshitters — able to spin a rare species of lie from saying something entirely accurate, which carefully exploits ambiguities in someone’s question or levers off errors in their background understanding. ‘Beer the Beautiful Truth’, a new campaign launched by the Brewers Assocation,1 is sadly just this kind of bullshit. It’s the opposite of what beer needs right now.
This time last year, I was recounting three years’ of Brewday experiences over the hill in Martinborough, as I missed out on the festival’s fourth incarnation. This time last week,1 I was on a train to Upper Hutt — the event’s original organisers had sold it, and it’d been relocated there for this year (and, all going well, onwards). The move brought some skepticism, including from myself, but I went exploring2 and am happy to report that the transplant seems a success and the prognosis looks good.
Continuing in the strange experimental spirit we started with our ‘Will It Shandy..?’ investigation, Dylan ― of The Bottleneck blog, and my comrade / direct superior at Golding’s Free Dive ― and I ask the yet-more-nonsensical question: Will It Gaff? We realise that’s probably not really a noun, nevermind a verb,1 but we wanted to pick up the thread of mostly-forgotten ginger-beer-blends (with names like “portergaff” and “shandygaff”) that we mentioned in passing last time. For this round, we enlisted Annika Naschitzki ― of Tiamana Brewery, and herself an occasional blogger, who handily hails from a different (and definitely livelier)2 beer-blending culture.