Birthday Reading

Little Creatures IPA, and its older Pale Ale sibling
Little Creatures IPA, and its older Pale Ale sibling

My recent little trip to Sydney was a marvellously-restoring one, but also did a fine job of further-breaking my already-fragile relationship with the “working week” as traditionally understood, in the process dealing another knock to my ongoing efforts to habituate myself into my Sunday Reading project. The holiday also coincidentally contained a changing of the Beer Diary guard, with the second notebook filling up and finally giving way to its waiting successor — the first entry for which was the rather-suitable and rather-lovely new Little Creatures IPA pictured right there. Given that this site was originally born in the transition from Diary I to Diary II, I’ve prodded myself into a little housekeeping and tinkering since I got home: I’ve freshened up the ‘About’ pages, properly enabled the email subscription system, and (probably most usefully) finally found and activated the mobile-friendly version for those of you reading on your cleverphones. If there’s anything else that needs adjusting, in ease-of-use terms and whatnot, let me know.

Meanwhile, in the course of said tinkering, I noticed that I’ve missed my own ‘birthday’, of sorts. The first post here — a surprisingly brief Hello world referencing a peculiar and now-abandoned post-dating scheme — was on 26 September 2010, so apparently I’ve been at this for three years. Lawks. Given the superawesomeness of the weekend’s shinding, and the zine which helped kick off my still-limping-along Reading ‘tradition’, I should have more to say on the subject of beery birthdays soon, but for now there’s all this:

  • An ode to the interrobang. I was pleased to see my beloved little punctuation mark get a bit of press recently. It’s been my little icon here, on the Twitters, and elsewhere from the start, and is definitely worth knowing. That it was born in the Mad Men-esque Golden Age of Madison Avenue is all the more appropriate, given how often what the fuck‽-esque outbursts are occasioned by the sad Don Draper wannabes at Moa.
  • Graphing the rise of “craft beer”; literally, as a phrase. I’m always interested in the evolution of language in a given field, and even though it’s North-American-centric, it’s a great little initial exploration of the increased traceability of words in the modern, heavily-gadgeted age. Martyn Cornell first blew my mind with the idea that “beer style” — as a notion, a phrase, as the go-to way for organising the industry — is younger than I am, and entirely the invention of one man. (One legendary chap, but still.)
  • The perpetuation of nonsense, despite the existence of myth-busting history (speaking, again, of Martyn Cornell). It’s sad to see that the rapidly-revising “new history” of beer isn’t being more-readily assimilated. I guess there’s always a lot of inertia to push against: taxonomy is hard, history is hard, and language is always evolving — see especially, there, the confusion that results if you don’t know that “stale” didn’t always carry negative connotations.
  • The Cask Report, which also necessitates a third link in a row to Martyn Cornell. It’s almost all good news in there, but the insight into the tension between publicans and drinkers when it comes to just how frequently a beer lineup would ideally change is worth some further pondering; sometimes I do wonder if switching products every keg turnover really is desirable…
  • Pretentious Beer Glasses, for if you need to one-up your friends and colleagues who are busy fawning over that trendy Spiegelau IPA thing. George sent me a link to the P.B.G.C. hoping for a rant, but I think they’re awesome; sufficiently self-aware, genuinely clever, and apparently well-made. (As for the Spiegelaus, I finally caved and got a pair for myself and am slowly coming to the conclusion that they are both pretty cool and pretty silly, much like Tuatara’s new reptilian bottle.)
  • A pondering on intent and “craft”, which — with “philosophy” and “craft beer” right there in the title — seems to be right in my wheelhouse; I’ll have to track down the article itself. I suspect that something like this is the only hope for a “definition”, though it’s always an open question whether we need or want one of those, anyway. (But you can forever rely on philosophers to try and build you a good one, just in case.)
  • Meanwhile, on the other Beer Diary, they’re gearing up for Season 2. Greg Zeschuk used to make videogames — that have accounted for hundreds of very enjoyable hours of my life — and now he makes very well-produced Beer TV; a thing we need more of, please. And on the other-other Beer Diary, Chris Hall wrote a love letter to the Cantillion brewery, as much as it visibly pained him to give anything unvarnished praise. Both Diarists are obviously kindred spirits of mine.
  • And finally, an irrelevancy, since a birthday is as good a time as any to remind yourself to think positively about the future, and since you should always pay attention to whatever Neal Stephenson is pondering at a given moment.

 

Station Ident: Changeover

Beer Diaries, etc.
Beer Diaries (plural); backup notebook; holiday reading (equally relevant and excellent); and a cup of tea

So, Beer Diary II is dead — or at least about to embark on its mostly-bookshelved (but never abandoned) retirement — long live Beer Diary III. I’m in Sydney for a few more days, having one of those holidays1 wherein you stop wearing your watch, stop wearing even shoes, and swiftly lose track of what day it is. Procrastinating somewhat from a “Sydney Reading” post (to which I’ll return tomorrow), I realised that I’d (again) gotten way behind in transcribing my scribbled notes into the “real” (but only slightly less scribbly) Diary, and so spent a few minutes catching-up, only to discover that I’ve filled it up. Luckily, Em found the supercute blue one pictured above on her European holiday, and it’s ready to take over.

Diary II started on 6 September 2010 with Yeastie Boys ‘Her Majesty’ 2010 and ended, damn near bang on three years later with the adorably-mad Yeastie Boys / Firestone Walker / Panhead collaboration ‘Engelbert Pumpernickel’ as its two-hundred-and-seventy-seventh entry — which means I’m having a beer-related moment2 worth scribbling about every four days, on average; a steady (but not unhealthy) acceleration from the first Diary.

This is my Beer Diary;3 it really does exist primarily as an actual diary. Thanks for joining me.


1: i.e., a really good one. 
2: As may already be obvious: an “entry” isn’t necessarily a ‘unique’ never-had-before beer, nor is it necessarily a single beer; it’s pretty-much as all-over-the-place and random as a personal notebook should be. 
3: And yes, I’m shamelessly borrowing the ‘Station identification’ trope from Warren Ellis

Sunday Reading

Brewaucracy 'In Triplicate'
Brewaucracy ‘In Triplicate’ — mere minutes ago, in fact

It’s a vaguely productive but incredibly restoring weekend, here. I’ve been going through the dimmer recesses of my fridge and finally pulling out things like Brewaucracy’s ‘In Triplicate’ — pictured, at right, not too long ago and still going as I write this —and belatedly realised that last weekend was so (oddly) productive that I neglected my Sunday Reading completely. As a tradition, we’re off to a shaky start indeed — but postponements of various kinds and durations are par for the course, around here; if anything, that is the meta-level tradition.

George and I — and a plus-one who didn’t really count as a guest in the usual sense — sat down for a podcast recording session yesterday, and I’ve got my Matariki and Beervana debriefs in draft form; more-regular transmission stands a good chance of soon resuming. Meanwhile, there’s still plenty going on to catch up with:

  • Boak & Bailey’s ‘Let’s Go Long’ collection. If you’re ever short of reading material, checking in here is a wise move, and it looks like they’re planning on making a tradition out of it — which is good news for all concerned and something for us Antipodeans to aspire to joining in. Ron Pattinson contributed a head-crushing thirty-five tonnes of words in the form of his work-in-progress history of porter, which is worth a look for the detail into which real history — of the myth-busting and evidence-gathering kind — must necessarily go. But my favourite so far is the curators’ own piece on the (often shamefully untold) history of beer and women. (B&B’s site also sets the gold standard for lists of disclosures and pre-emptive responses to lazy PR.)
  • The Froth-Blower’s Manual, by Pat Lawlor1. Em found me this for my relatively-recent birthday, and it’s an enduring source of flip-through-it entertainment. It’s positively a relic, published in the sixties though with content that apparently mostly dates from closer to a century ago, but is properly charming despite its incredibly-dubious reliability. Neil Miller’s raved about it a few times before, and it seems relatively easy to find in libraries and second-hand bookstores.
  • Heineken’s effort to target the over-60s, as reported on The BeerCast, with assistance from the author’s admirably-crotchety dad. It turns out that Heineken run a kind of crowd-sourcing ‘Ideas Brewery’, which feels like a fairly stark and sad admission that they don’t really know what they’re doing. The insight into their processes is hugely telling; the blunt reaction of a relatively random real person is damning.
  • Moa’s Disingenuous Shitfight #1: Cloudy Bay. Hitting a few stumbling blocks with the consenting process for their — necessary, if their business plan has any hope in Hell — expansion, Moa are in a slagging match with one of their neighbours. A nearby winery has objected to their proposal and Moa responded with a press release wherein “Moa CEO Geoff Ross says the brewer is considering housing its new facility in a ‘winery’ to appease the French” — knowing full well that it’s not the size of the facility that counts, it’s the level of use; wineries are (largely) once-a-year hives of activity whereas breweries can be productive (and thereby noisy, etc.) every single day. Given how often Moa wank on about their founder’s winemaking experience, I think you’d be excused for expecting them to know that…
  • Moa’s Disingenuous Shitfight #2: Tui / DB / APB / Heineken. Meanwhile, a Tui billboard appeared, satirising Moa’s recently-tanked share price, and Josh Scott (through a rather-obvious ghost writer) hit back with one of their wordy full-pagers which managed to entirely undermine what could’ve actually been a good dig about the labyrinthine ownership of the Mega-Congloms — if they hadn’t just said that it should be “all about the beer”. If ownership’s fair game (and it is), then share price is fair game. Moa really are levelling-up their Hypocrisy, these days; “foreign ownership” is a big element of Shitfight #1, too — but it’s a bit rich given that Geoff Ross made a chunk of his brewery-buy-in money by cashing a cheque from a bunch of Cubans. The take-home lesson from both Shitfights, if you ask me, is that there can always be more than one bad guy in any given conflict; there’s not necessarily a hero, there’s often just two equally-obnoxious losers taking drunken, uncoordinated swipes at each other.
  • And finally, an irrelevancy, because I’m an enormous fan of The Simpsons and was already feeling relatively philosophical about its legacy since I just last night farewelled my beloved — if anything, even moreso — Futurama. Again.
And with that, it’s time for the last (delicious) sip of this ‘In Triplicate’. Cheers!

1: Not that that biography mentions TFBM, shamefully. Meanwhile, the other readily-Googleable “Pat Lawlor” is responsible for the stupidly-awesome Twilight Zone pinball table. It’s an auspicious name. 

Beer Diary Podcast s03e04: (Postponed) pre-Beervana Hostful

And we’re back. Though we’re not quite as back as we intended. This happens to us, sometimes. George has been abnormally busy, post-holiday — though often with new-puppy-related duties about which he’s not remotely about to complain — and I was diverted, in the actual around-Beervana-itself days, by ingloriously falling off my bike.1 But at last, we’re back. Much (though by no means all) of the conversation was looking-ahead to events now past, but we’re presenting them here mostly unvarnished and uncorrected so you can test how prescient and/or very-very-wrong we were. More generally, we ponder beer in cans (and drink one) and the burgeoning (but still finding-its-feet) world of the beer documentary.

As always, a direct download is available, there’s a podcast-specific RSS feed, and you should be able to get us on iTunesGeorge and myself can also both be reached on the Twitterthing, or you can leave comments here or on the Bookface; feedback is absolutely always welcome. Cheers!

Boundary Road 'Cantainer'
Boundary Road’s shiny new ‘Cantainer’
Townshend's Collaboration Series
Townshend’s Collaboration Series
Richard's portrait
‘Deafinition’ — Richard Emerson’s portrait

— Show notes:

  • (1.05) Whoop-ass always makes me think of Maya Angelou, strangely.
  • (1.35) Beer in cans (and the Usual Disclaimer), launching off from Beer of the Week #1: Boundary Road ‘Mumbo Jumbo’. By ‘New Yorker poster’, I mean the View of the World from 9th Avenue. I saw re-launched cans of Leigh Sawmill at Beervana, and spied the re-branded Harrington’s bottles in the supermarket (beside the old ones, which now rank highly on the list of Starkest Contrasts, Ever), but am still eagerly awaiting a Hot Water Brewing can (but he is brewing, now). Churchkey is so fucking hipster, but also utterly, utterly gorgeous (but is from the US, not the UK). I had great fun with Maui’s porter and IPA. The Monteith’s black bottle, I must admit, looked really cool — but they couldn’t non-absurdly promote it, given their premise (a point to which we return). Meanwhile, Mumbo Jumbo turns out to be pants.
  • (10.10) George is keen to point out — after near-interminable school-age forced re-watchings of Hypothermia: Such a Stupid Way to Die — that you’re not supposed to take alcohol camping. </PSA>
  • (12.30) There is only one i in Aluminum (see footnote 3).
  • (13.00) My BrewDog / Boundary Road (/ Batman reference) rant is here, if you need it.
  • (15.00) Beer of the Week #2: Townshend ‘Last of the Summer Ale’; ESB, but weirdified, and in a much-sexier new bottle, speaking of judging a beer by its label.
  • (22.30) Outmoded previews, for the West Coast IPA Challenge and ¬Matariki. My post-match for the latter should be up later this week, just to pile on the skewed timing.
  • (24.50) pre-Beervana speculation, including the Lion sponsorship announcement and the tricky issue of disclosure. I’ll have to have my full-on debrief very soon, but it’s going to be a doozy… Choice Beer Week also felt happily felt like more of “a thing”.
  • (29.00) Beer documentaries (which the a certain part of my brain really wants to call “malty-media”). Hashigo actually showed the new Beer Hunter film, rather than the original TV series. Both are totally worthy of your time, though the great modern nonfiction beer epic is still waiting to be made: Beer Wars and Beertickers are both seriously flawed and recommended viewing. But seriously, Scratch shows how the ‘sub-culture’ genre is done (though King of Kong is a contender for runner-up, too, though with a conflict — rather than history and/or overview — focus).
  • (36.40) Beer of the Week #3: Emerson’s ‘Deafinition’ Old Ale. Which is utterly pun-tastic and gorgeous and fun and goes a long way towards allaying the fears / quiet bits of reserve / healthy skepticism expressed in the post-buyout podcast episode, unless it’s all a double-bluff. (The wire cage, by the way, is apparently a muselet.)
  • (49.20) Boundary Road’s ‘Blind Taste Test’, just to depress myself again, since looking back at the can unexpectedly reminded me. Sexy need not be sexist.
  • (51.20) Recommendations: Croucher Ethiopean Coffee Stout (at Hop Garden, or indeed anywhere else), and Schipper’s ‘Scallywag’ (likewise), which puts George in mind of Peabody’s Improbable History. Tuatara ‘Blacklight’, the only fault in which is the boozier-than-is-evident punch — and the UV-reference isn’t obvious enough to count as a warning. Liberty ‘Darkest Day’, as well, and ParrotDog ‘Otis’ since I bloody loves oatmeal stout, I do — #oatsforawesome! Garage Project L’il Red Rye gets the non-conflicted nod from George, too (but is all gone, sorry).
  • (1.02.20) On the Beer List — ironically, as it turns out — Tom Scott. Not the local one, the London one; who is on the YouTube, the Twitters, and the General Internets. George loaded up a bottle of Yeastie Boys ‘Digital IPA’ (which felt appropriate) into his luggage, and I emailed Tom to tell him it was on its way if he would like a beer from the Antipodes. He seemed genuinely chuffed, but it turns out he doesn’t drink. So the Beer List’s streak of Incompletes continues — and if anyone else finds themselves in a position to buy Tom something else as a replacement, please do so on my behalf; he’s more than earned it. For a damn good start, I most-heartily recommend his pieces on gender-neutral pronouns, a scary-brilliant demonstration of modern privacy — and his digital-age pondering of beloved stuff.
  • (1.06.50) Cue the music: ‘Shopping for Explosives’, by The Coconut Monkeyrocket. Audio editing done in Audacity. Habitual thanks to both.
  • (1.07.14) Has anyone noticed these post-credits Easter Eggs George manages to find on the cutting-room floor? Because that’s probably the best one yet.

1: More proximately, I meant to get this posted (at last) last night (and did get all the show notes done, at least), but was rendered less productive than usual by Engelbert Pumpernickel — so some tiny-tiny fraction of the blame lies with Stu and Matt and Mike. 

‘Sunday’ Reading

Moon Dog 'Black Lung III'
Moon Dog ‘Black Lung III’, one of many Birthday Treats

Attempt to start a new weekly tradition, miss your self-imposed deadline for just its second incarnation. That does sound a lot like a ‘me’ thing to do. But in my defence, it was my birthday. Well, my birthday weekend — I took liberties with the calendar when the realities of work broke my usual Take The Day Off commandment; fair’s fair. It was a marvellous weekend, though: beginning in earnest on the Thursday with the Michael Jackson Memorial beer tasting at Regional, shambling through a few nice pubs on Friday night, baking (or at least vaguely helping-to-bake) a Coopers-Stout-fortified chocolate cake on Saturday, watching some fantastic roller derby with a belly full of (good!) beer I’d daringly drunk from a can while biking along the waterfront to get there, then mooching at Hashigo with my ears full of superawesome jazz drumming, braving Sunday morning for the sake of the markets, babysitting a mercifully-quiet brewery shop before kicking some serious arse at trivia with friends (and nachos and beer).

But enough gloating — and, seriously, may all your birthdays be similarly Your Kind Of Thing — it’s (past) time to share my recommended reads for your downtime — on whatever day it falls this week.

  • Anything by Michael Jackson. Obvious, but mandatory. I shamefully realised that I don’t actually have my own copy of any of his seminal beer books, despite years of using his Malt Whisky Companion as a reference (I was a whisky nerd before I was a beer one). I’ll soon remedy that. During Thursday’s tasting, Geoff read great passages from MJ’s work, and showed clips from the recent Beer Hunter movie, which all reinforced what a terrific chap he was and how much he helped shape and document the beer business. He’s a member of my own internal pantheon of Authors Gone Too Soon —together with Douglas Adams and Iain (±M.) Banks.
  • A (vague) summary of the ‘Brothers Banks’. In charmingly rambling and kind-of beer-clouded Gonzo style, Dylan takes a stab at answering the question that popped into 95% of brains at the Brewers Guild awards: who won the Morton Coutts trophy?
  • A meta piece on the undying “craft beer” debate, from a brewer making the simple point that the term obviously means something, and sometimes that’s enough.
  • The Thirsty Boys on why they haiku. Mostly I’m just happy that they do, so ably documenting the Beer Geek Church that is Hashigo on a Tuesday — which has sadly become less a part of my own weekly routine. I do confess to hoping that the post itself would be in haiku, though, big fan of recursion that I am.
  • Beer Cycling in Belgium, an envy-inducing post-holiday ramble from Luke which (especially after more than a few Belgian beers in the MJ Memorial tasting) has me determined to start a specific Holiday Fund.
  • A piece on cider versus “cider”, which needs a great-deal more name-and-shame, though I’m not qualified to engage in such — if anyone can prod Kieran Haslett-Moore into ranting out a local version of Pete Brown’s recent piece, that’d be great.
  • Martyn Cornell in reportage mode (rather than in his mythbusting historian hat) on the emerging Two Cultures of (UK) beer festivals, something that’s been on my mind since Matariki / Beervana. Though, while I’m a big fan of (mass) observation, what I really want is data; I must try and get some real sampling going.
  • The Wonderbrewer of Nowheresville, a really nice long-form piece on the brewer from Hill Farmstead, the ludicrously high-scoring Vermont brewery which can’t help but put you in mind of the Emperor’s New Clothes effect and superdeadkeen to try their beers for yourself. Massive thanks to aimee whitcroft for the link, because the rest of the week’s articles — and the ‘magazine’ in general — looks like it’s got plenty of other goodies to be going along with.
  • And finally, an irrelevancy, because the world needs more good books just like it needs more good beers — and you can judge a person by how they consume both.